In all years, the modules reinforce the knowledge that reading and analysing the work of other practitioners – your fellow students included - will help you understand and develop your own formal and technical abilities. Our graduates have strong linguistic, reasoning and analytical skills, making them highly employable. Find out more. We want you to learn that practicing a particular kind of writing can hone your craft in a different form (for example, dramatists learn so much about choreographing the natural movements of a voice on the page from writing free verse poetry). UDL means we offer a wide variety of support, facilities and technology to all students, including those with disabilities and specific learning differences. Joint honours degree students will choose to study available modules from 50 per cent of one subject and 50 per cent of another. Journalism students have been on trips to gain insight into the rapidly changing world of newspapers at the South China Morning Post in Hong Kong, as well as completed an internship at the prestigious Charles University in Prague. Assessment is mostly through coursework (presentations, essays and reports), although there are some short tests in the ‘Uncreative Writing and Artificial Intelligence’ module. We estimate living expenses at £1,015 per month. Much of this writing will be Anglophone but you should be prepared for adventures in reading translations. Kevin Allardice is an English teacher at Mercy High School in Burlingame, … Our dedicated team offers a range of careers resources and opportunities so you can start planning your future. Assessment is mostly through coursework (presentations, essays and reports), although there are some short tests in the ‘Uncreative Writing and Artificial Intelligence’ module. At second year the assignments lengthen, and the focus upon research intensifies as you are expected to situate your own writing alongside your reading of other writers in your field. Within UEA’s world-famous writing community, you’ll have the opportunity to meet some of the UK’s leading poets and poetry editors, and to benefit from their insight and expertise. Find out more. Note: Applicants with non-standard qualifications may be asked to complete a piece of work to support their application. Discover your creative voice by experimenting with poetry, fiction, screenwriting, graphic novel scripts, new media, and audio and performance writing. This is a practice-based module taught by a novelist and non-fiction writer and aimed primarily at students on the creative writing strands but is also open to students studying for critical MAs. We will normally require students have had a break from full-time education before undertaking the Access course. Become part of regional writing networks and perform and publish your work through events such as annual book festival States of Independence, DMU’s Cultural eXchanges festival, and spoken word events. The full list of accepted tests can be found here: Accepted English Language Tests, INTO UEA also run pre-sessional courses which can be taken prior to the start of your course. Contact us: For more information, call us on +44 (0)116 2 50 60 70. Conveniently located at the heart of campus, it includes a convenience store, a Subway and a Starbucks. Tuition fees for the Academic Year 2021/22 are: International Students: £17,600 (full time). The next DMU Open Day will take place on Saturday 17 October. On campus, the main Kimberlin Library offers a space where you can work, study and access a vast range of print materials, with computer stations, laptops, plasma screens and assistive technology also available. This involves developing a more sustained writing practice informed by an understanding of the conventions of particular genres, and your management of readers’ expectations. We will support you to confidently use a huge range of learning technologies, including Blackboard, Collaborate Ultra, DMU Replay, MS Teams, Turnitin and more. There is a choice of mixed or same-gender flats, shared kitchen and laundry facilities, furnished bedrooms (some with en suite facilities) and internet access. So now is the time to take it further! Fees and funding: For 2020/21 tuition full-time fees will be £9,250 per year. Our annual anthology is professionally published and distributed to a key list of poetry houses and other contacts. How, then, to write criticism? Candidates will be expected to submit a portfolio of writing for assessment - up to 20 pages of poetry. In addition to the weekly workshop, in the first semester you will take a creative-critical module, Describing Poetry, and in the second semester you will choose from a number of optional modules ranging from publishing to translation. This module aims to account for the preoccupation with youth in America, focusing particularly on the concept of 'innocence'. Applications for Postgraduate Taught programmes at the University of East Anglia should be made directly to the University. During the module, you’ll explore some of the following questions: how have different ways of 'framing' place influenced the sense of cultural identity associated with that place? What role might literature play in this? These novels depart from the usual concerns with character, realistic dialogue and plot to focus on voice, place, and time, employing strategies of literary craft to be formally innovative. Further Information on tuition fees can be found here. Your precise timetable will depend on the optional modules you choose to take, however, in your first year you will normally attend around 12 hours of timetabled taught sessions (lectures and tutorials) each week, and we expect you to undertake at least 26 further hours of independent study to complete project work and research. Your precise timetable will depend on the optional modules you choose to take, however, in your first year you will normally attend around 17 hours of timetabled taught sessions (lectures and tutorials) each week, and we expect you to undertake at least 23 further hours of independent study to complete project work and research. Note: Applicants with non-standard qualifications may be asked to complete a piece of work to support their application. A series of sessions devoted to the discussion and hands-on tackling of practical problems connected with translation and the projects ahead, precede the presentations. Our innovative international experience programme DMU Global aims to enrich your studies and expand your cultural horizons, helping you to become a global graduate, equipped to meet the needs of employers across the world. Click here for more detailed module information. We’ll encourage you to join regional writing networks, participate in spoken word events, and perform and publish your work through book fairs and festivals. The building is also home to the DSU officer team. On this module, you’ll not only gain a strong foundation in debates concerning literature's relationship to the environment, to heritage, and to ideas of community but you’ll engage with these debates following your own line of inquiry, and/or through your own developing practice, in ways that will equip you to take on similar projects after the MA as well. Watch: Dr Simon Perril and Dr Siobhan Logan speak about the benefits of studying Creative Writing at DMU. The library staff offer additional support to students, including help with academic writing, research strategies, literature searching, reference management and assistive technology. Conveniently located at the heart of campus, it includes a convenience store, a Subway and a Starbucks. Can we define a ‘good’ adaptation? And you’ll be part of a group that’s of a consistently high standard, which offers (and expects in return) rigorous feedback and discussion. "There have been many amazing moments at DMU including being awarded the Ivy Black Award and being able to spend 5 months studying in Tokyo." Sebald, R.F. English Language tuition, delivered by our British Council accredited Centre for English Language Learning, is available both before and throughout the course if you need it. Recent guest speakers include our visiting professor, poet and novelist Benjamin Zephaniah, novelist Mahsuda Snaith, literary agent Oli Munson and non-fiction author Damian Le Bas. In the first year, the focus is upon shorter work, and the importance of developing your editing and re-drafting skills; and your capacity to accept and evaluate feedback from others. An academic context allows you to develop yourself through learning more about poetry across time and place, about form and technique, concept and theory, cause and effect. There is also a ‘Just Ask’ service for help and advice, live LibChat, online workshops, tutorials and drop-ins available from our Learning Services, and weekly library live chat sessions that give you the chance to ask the library teams for help. You’ll examine the relationship between word, image, and sound and, by the end of your course, you won’t just be writing – you’ll also be producing your own professional-standard publications. You may have tried one-off workshops or short courses but find that they are no longer enough. We’ll also give consideration to professional issues confronting novelists, from writer’s block to editing, contracts and dealing with the media. Creative Writing and Film Studies BA (Hons)Creative Writing and Journalism BA (Hons). Reading, writing and analysis happen alongside each other. At DMU there is always something to do or see, check out our events for yourself. Foreign language texts are all read in translation. Our poetry graduates go on to enjoy all kinds of careers, especially in the literary arts. We welcome applications from students with a wide range of qualifications and experience. You can also get involved in the award-winning Demon Media group, volunteer to help in the community, become a course or faculty rep, and take part in DSU’s annual elections. In our MA Creative Writing (Poetry) we aim to support you in writing poetry of a publishable standard, and to create an encouraging but rigorous environment. You’ve been writing poetry for so long that it’s become a vital part of your life. Our prospectus will give you a clearer idea of what it's like to live and study at DMU and a snapshot of the courses we offer. This module focuses on key questions in dramatic adaptation, establishing a foundation in basic theory and then focusing on readings of source works and screenings or performances of adaptations. We offer an equitable and inclusive approach to learning and teaching for all our students. The second half of the module will include workshopping student work-in-progress. In previous years we have studied, for example, Dostoevsky against Nabokov, Kafka against Borges, Perec against Queneau and Calvino, Carter against Coover, Muldoon against Heaney, Pynchon against Barthelme, and Ashbery against Mallarmé. The effects of new market forces, media and digital technology on the form of writing and the construction of the “author” could also be seen as one of the legacies of modernism. Not quite right? In this module you’ll explore these questions. If English is not your first language an IELTS score of 6.0 overall with 5.5 in each band, or equivalent when you start the course is essential. And finally, what new ideas might this prompt about publication, exhibition and public engagement? Find out more about course fees and available funding. Criticism which responds inventively to the literature which it analyses? Topics that you’ll study will typically include: the definition and purpose of literature; the status of fictional characters; the relevance of author's intention and the role of interpretation in fixing meaning; aesthetic evaluation, taste, subjectivity and objectivity; the value of fakes and copies; the emotional effect of literature; whether literature can convey truth and knowledge, and the relationship between aesthetic judgement and ethics. The preoccupation with youth in America, focusing particularly on the concept of '... 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