New York: Longman, 2001. This handout is more focused on the writing aspect of writing about film than on visual literacy, and discusses different approaches to film (film history, ideological analysis, cultural studies/national cinemas, and auteur theory) not addressed here. 4 For example: Is the film a piece of classic cinema in the great Hollywood tradition, such as Casablanca (1942), or is it an example of a more fragmented postmodern text, like Pulp Fiction (1994)? What do they mean by Film History? You can focus on particular case studies (directors, films, etc) - this approach works better if you can do a little extra research into production, exhibition, or reception of the film. Auteurs 6. National Cinemas 4. Film History 3. 1. The term of national cinema is continent developing by the social and economic change. Writing about what the time period in which a film was made might tell us about that film. Ideology 2. So, according to Corrigan, there are 6 basic approaches to choose from when writing about film. Ideas or beliefs on which we base our lives and vision of the world. Genres 5. National Cinemas. Part of Longman’s Short Guide series, Corrigan discusses different approaches to film and provides useful tips on ways to begin writing about film. The relationship between national cinema and Hollywood is a worthy discussion topic. Billy Elliot (2000) is an example to analysis how a film to operate a concept of national cinema. The book includes a glossary of technical film terms, and a section of the book deals with these terms in more detail. Kinds of Formalism. decreased the financial burden associated with the cost of film stock and other aspects of production, essayistic cinema was mostly created by professional filmmakers, who approach thesis-driven arguments through a visual medium to achieve what documentary pioneer John Grierson described as “the creative treatment of actuality” (Winston, 19). A variant on this essay involves conducting a careful analysis of one or two scenes in a film, exploring how stylistic aspects and/or themes are developed through these segments of the in "''Titing about film does not attempt to review the complexities of any single approach or the ways two or more approaches may overlap in one study. If the film is foreign, think about what exactly distinguishes it from the American ones, for example. Here are a few of his suggestions of paper topics, and how to think about them: 1. A Short Guide to Writing about Film. National Cinemas Writing about how the country in which a film was made might tell us something about the underlying meaning of a film and/or motivation in making it. These sketches and examples should, however, help you to identify approaches that can direct your writing about film and give you asense of how aparticular method might organize and use information. What are the 6 approaches to writing about film? What do they mean by Ideology?
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