The recent expansion of “new nature writing” is among the most significant developments in British publishing this century. The work of the late Roger Deakin looms large for many a nature writer in 2020. But what exactly is ‘new nature writing’? ABSTRACT This article discusses the ‘new nature writing’ and the work of some of its key practitioners: Mark Cocker, Roger Deakin, Kathleen Jamie, Richard Mabey and Robert Macfarlane. NATURE writing is a historically recent literary genre, and, in a quiet way, one of the most revolutionary. He’s best known for his book Waterlog, about his efforts to swim in bodies of water across Great Britain. Wildwood by Roger Deakin. The new nature writing focuses on finding meaning not in the rare and exotic but in our common, unremarkable encounters with the natural world, and in combining… It has, as its core value, an appreciation that human beings are animals, that we are animals among other animals. If you missed its inception or have not the inclination to read the scores of books appearing under its banner, you could do worse to catch up than to read a single chapter in Michael McCarthy’s new book, The Moth Snowstorm: Nature and Joy. In an article in The New Statesman, Robert Macfarlane (something of a king in this emerging literary genre), defines it well. Read here. (His life and work come up a lot in this excellent article at The New Yorker.)
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